A lot has changed for CHVRCHES in the past few years. When the Glaswegian trio wrote and recorded their debut, The Bones Of What You Believe (2013), no one had heard of them. The three members (Iain Cook, Martin Doherty and Lauren Mayberry) came together with the idea of working on a writing project together, unsure of what path that would take other than one which belied their previous musical projects and foregrounded melody and classic songwriting styles before everything else. There were no pre-existing ideas of what the record would or should be like, no pre-conceptions, and nothing to live up to–just three people in a basement studio in Glasgow making music they believed in. The Bones of What You Believe went on to sell over 500,000 albums worldwide. The band enjoyed critical success, with accoladed coming from Pitchfork, Spin, Rolling Stone, Q, NME, and many more. They made their debut US TV performance on Jimmy Fallon and then went on Kimmel, Letterman and Carson Daly. They’ve clocked in 364 shows in 2 years, selling out venues across the world and making signature appearances at Coachella, Bonnaroo, Sasquatch, Lollapalooza, Australasia's Laneway Festival, Reading & Leeds, Summer Sonic in Japan and myriad others before retiring back into the studio for another go. Approaching the new album, one could argue that everything is different for the band but they tried not to treat it that way.
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After the success of their first album, CHVRCHES returned to the same hometown studio that had housed them during the recording of their first LP, their basic goal to shut off the outside world and get back to what they know best: writing. Made in CHVRCHES’Alucard Studios –a converted three-bedroom flat on the south side of Glasgow – Every Open Eye offers an alternative approach in a climate of music written by committee or the same handful of well-known songwriters, going back to the idea that a band can write, record and produce their work entirely by themselves. Using some ideas the band had recorded in venues during their time on the road as a starting point, the band found riffs, loops, and melodies they wanted to develop or started from scratch on the synths, pads, and machines they had been gathering in their basement to create the instrumentals of the songs. Vocal melodies were developed as the songs took shape with the lyrics added last, developed from words and sentences from notebooks Mayberry had kept on tour. Musically, Every Open Eye seeks to do more with less. To make big sounds without racking up endless tracks within Cubase sessions. To make something intense and urgent and visceral, using the basic tools of melody, rhythm, and arrangement rather than the mentality that ‘more is more’. Sonically, Every Open Eye develops CHVRCHES’ signature style, juxtaposing the light and the dark, creating their own brand of twisted pop music that uniquely merges the organic with the electronic, molding sounds and ideas forged over two years on the road into an electronic-pop record with a heart. Lyrically, Every Open Eye is not a break-up album. It is a record about past heartbreaks and getting over them (‘Leave A Trace’). About perspective and the benefit of hindsight. About being unapologetic and not being told what to do or who to be (‘Bury It’, ‘Never Ending Circles’, ‘Playing Dead’). About moving onto better things, holding onto the good, and letting go of the bad (‘Down Side Of Me’, ‘Clearest Blue’, ‘Afterglow’).
Mixed by Spike Stent and mastered by Bob Ludwig, Every Open Eye was released on September 25, 2015, via Glassnote / Virgin.